2009 Coming in Thirds (piano solo) (4') Renée B. Fisher commission [ACA] (synthesized recording)

 2009 Selah (percussion solo: vibraphone, glockenspiel, crotales) (6') [ACA] (performance by Joseph Van Hassel)

 2007 Etude with 'tude (piano solo) (4') [ACA] (recording by Peter Vinograde)

 2005 Just Keyboard Respect (piano solo) (4'15") [ACA] (recording by Peter Vinograde)

 2005 Randabout (one flutist switching among bass flute, alto flute, flute, and piccolo, mixing live and recorded performances) (15') commissioned by the Geraldine R. Dodge/American Music Center Live Music for Dance for Randy James Dance Works and Bart Feller

 2004 Twilight Reverie (piano solo) (5') [ACA] (recording by Peter Vinograde)

 2004 S'lichah (organ solo) (2'50") [Zimbel Press]

 2001 Quick Study (piano solo) (1’15”) [ACA] (recording by Peter Vinograde)

 2001 Here to Sing! (organ solo) (2')

 1998 Tart Stylings (solo alto saxophone or bass clarinet) (6’40”) [ACA]

 1996 On the Edges (piano solo) (9’30”)  [ACA] recorded by Peter Vinograde on Phoenix USA PHCD 149

 1991 Piano Sonata (25’45”)
Moderato con sforzare (9’15”)
Sostenuto (6’)
Desto (2’)
Rubato; Energico (8’30”)

 1983 Keepsake (flute or saxophone alone) (3’45”) [ACA] (recording by Bart Feller)

 1975 Ascensus Detrahendus (piano solo) (12') [ACA]

 1972 Episodes (organ solo) (15') [ACA]

 1971 Paraphrases (flute alone)  recorded by James Winn on CRI SD 342 (re-released as New World NWCRL342) (4'30") [ACA]

 1970 Retrogressive Study (piano solo) (2') [ACA] (recording by Anita Cervantes)

 1970 Focus: Magnifications for Solo 'Cello (5'30") [ACA]

 2011 Fair Winds (wind quintet) (9') [ACA] (synthesized recording)
Flourish (3'15")
Fanfare (2'15")
Divertimento (3'30")

 2010 Recollections (trombone quintet) (5'40") [ACA] (perusal score)  (synthesized recording)

 2009 Fanfare for an Uncommon Time (2 Bb trumpets, 4 F horns, trombone, bass trombone/tuba, bass drum) (ca. 3') [ACA] (perusal score)  (synthesized recording)

 2009 Time Shares (mini-concerto for 3 solo trumpets and 1 or 2 trumpet quartets) (8'15") [ACA]   (perusal score)  (synthesized recording) 

 2008 Recollections (trumpet quintet) (5'40") commissioned by Tromba Mundi [ACA]   (perusal score) 

 2007 By Way of Introduction (brass quintet) (45") [Imagine Music] (synthesized recording)

 2007 Seven Minutes for Seven Players (percussion ensemble) (7') [ACA]

 2006 String Quartet [on MSR Classics MS 1223] [ACA]
I. Sonata (9') (Nevsky String Quartet)
II. In memoriam September 11, 2001 (7') (Nevsky String Quartet)
III. Scherzoid (4'45") (Momenta)
IV. Small Fugue (9'15") (Momenta)

 2005 Stellar Mettle (brass quintet) (9') [ACA] commissioned by The Lone Star Brass (perusal score) (synthesized recording)
Flourish (3'15")
Fanfare (2'15")
Divertimento (3'30")

 2004 Four Pieces After Rooseveltians for the Roosevelt Arts Project (saxophone quartet SATBar) (18’45”) [ACA] (performance by the NJ Saxophone Quartet)
Caprice (in memoriam Sol Libsohn) (5’45”)
Intermezzo (in memoriam Judy Trachtenberg) (4’30”)
Bagatelle (in memoriam Ed Schlinski) (2’45”)
Finale (in memoriam Bernarda Shahn) (5’45”)

 2004 Assunpink Twilight (small wind ensemble: picc., 2 fl., 2 Bb cl., b. cl., a. sax., t. sax., Bb tpt., hn., tuba, chimes & triangle) (5') [ACA]

 2004 Triarchy (C trumpet, violin, percussion (3 toms, 5tbs, vibes, sus cym, tri)) (8'30") [ACA]

 2004 Jersey Sure (saxophone quartet SATBar) (4'30") for the NJ Saxophone Quartet [ACA] (recording by the NJ Saxophone Quartet)

 2003 Renewal (trumpet and pipe organ) (5') [ACA] (performance by Jean-Christophe Dobrzelewski (trumpet) and Guy Whatley (pipe organ))

 2002 The Tale of the Scale (flute, clarinet/alto saxophone, bass trombone, percussion) (ca. 5’30”) [written for Tales and Scales]

 2002 Two Emily Dickinson Settings (flute, clarinet or alto saxophone, bass trombone, vibraphone and triangle; English texts spoken by the instrumentalists) [written for Tales and Scales] (ca. 7’) [ACA] (performance by Tales and Scales)
I’ll Tell You How the Sun Rose (4’)
To Make a Prairie (3’)

 2001 Menagerie (flute, soprano and piano; French texts by Robert Desnos*) (ca. 13’) [ACA] (recordings by Mary Ellen Callahan, Zara Lawler, and Margaret Kampmeier)
L’Hippocampe [The Sea Horse] (1’45”)
Le Léopard [The Leopard] (2’30”)
Le Zèbre [The Zebra] (1’35”)
La Sauterelle [The Grasshopper] (45”)
Le Ver Luisant [The Glowworm] (3’45”)
La Fourmi [The Ant] (2’)
*La Fourmi, La Sauterelle, Le Léopard, L’Hippocampe, Le Zèbre, and Le Ver luisant from Chantefables et Chantefleurs by Robert Desnos,
©Editions Gründ, Paris; used with permission.

 1999 Festive Fanfare (brass quintet) (2’) [Ludwig Music] (recording by the Chicago Brass Quintet)

 1994 Two Hannah Senesh Songs (soprano & piano; English) (4’45”)
Now (2’15”)
Harvest (2’30”)

 1993 Quintifications (brass quintet) (4’15”) [ACA]   (perusal score)  (performance by the Westchester Brass Quintet)

 1970 Twilight Songs (flute and soprano; text by Peter Boffey) (5') [ACA]

 1968 Two Short Duets (clarinet and 'cello) (3') [ACA] (performance by Chester Brezniak and Luis Garcia-Renart)

 1968 Reunion (flute duet) (8') [ACA] (recording by Erich Graf and Jelle Attema)

 1964 Two Short Duets for Two Flutes (3') [Imagine Music] (recording by Erich Graf and Jelle Attema)

 2009 Suite! (concert band) (ca. 9'30") [ACA] winner, first annual Hal Campbell Composition Competition, Southern Utah University (synthesized recording)
I. Flourish (3'30")
II. Fanfare (2'15")
III. Divertimento (3'30")

 2008 Cruzin' (alto saxophone and string orchestra) (ca. 13'30") [ACA] (synthesized recording)
I. Ostinato (4'20")
II. Aria (4'15")
III. Ritornello (4'15")

 2006 All the Rage (wind ensemble) (ca. 21') (synthesized recording)
I. Snit (2'55”)
II. Grievance (3')
III. Gripe (3'20")
IV. Rant (1'40")
V. Funk (2’25”)
VI. Fit (1'40")
VII. Outburst (1’)
VIII. Whine (2')
IX. Tantrum (2’15”)

 2005 (rev. 2012) Beside the Still Waters (concert band) (8'15") commissioned and recorded by the Rutgers Symphony Band, Dr. William Berz, Conductor [ACA]

 2004 Raritonality (wind ensemble) (2'15") commissioned and recorded by the Rutgers Wind Ensemble, Dr. William Berz, Conductor

 2004 Hoboken Vignettes (wind ensemble) (13'10") [ACA] (performance by the Rutgers Wind Ensemble)
I.  Rush Hour at Hoboken Terminal (3')
II. Sunrise Over Castle Point (3'30")
III. Spring Sunday in Sinatra Park (3'40")
IV. Festive Day on Washington Street (3')

 2003 North Country Dance (string orchestra) (3') [Imagine Music] (synthesized recording)

 2002 Shir Kinah: Elegy for victims of terrorism (string orchestra) (8’) [ACA] [on MSR Classics MS 1223]

 2002 Susquehanna Sunset (orchestra: 2112/2121/3 perc./strings) (5’) [ACA] (synthesized recording)

 2002 Festive Flourish (concert band, commissioned by the Sandusky New Music Festival) (2’)  [Imagine Music]

 2001 Introduction and Fugue (string orchestra) (6’) [ACA] [on MSR Classics MS 1223]

 2001 Shpatsír (string orchestra) (3’45”) [Ludwig Music] [on MSR Classics MS 1223]

 1999 Theme Song (string orchestra) (2’) [Imagine Music] [on MSR Classics MS 1223]

 1995 Out of the Wilderness (string orchestra) (14’30”) [ACA] [on MSR Classics MS 1223]
Andante
Largo
Scherzo
Finale
Coda

 1993 Note One Sentiment for Tribute (concert band) (6’30”)

 1965 Marche Comique (concert band) (3') [ACA] (performance by the Rutgers Wind Ensemble)

Laughing Song (text by William Blake) (3’) (1995) A flirtatious, rhythmically eccentric setting of one of Blake’s Songs of Innocence. [ACA] (recorded by the Goldene Keyt Singers)

Grow Old Along With Me (text by R. Browning) (3’30”) (1998) A romantic, harmonically rich setting of excerpts from two Robert Browning poems. [ACA] (recorded by the Goldene Keyt Singers)

Because (text by Elizabeth Barrett Browning) (6’) (1999) A dramatic setting of Sonnet XXXIX From The Portuguese. [ACA] (recorded by the Goldene Keyt Singers)

Grant Us Peace (cantor and congregation (liturgical) or soloist(s) and choir a cappella (secular); English from the Reform Jewish liturgy) (4’) (1994, rev. 2017) [ACA]

 Ani L'Dodi V'Alay T'shukato [I am my beloved’s, and his desire is towards me] (text from Shir HaShirim (Song of Songs)) (1’) (1998) An epigram from the Song of Songs set as a processional. [ACA] (recorded by the Goldene Keyt Singers)

 Kol Dodi [Voice of My Beloved] (text from Shir HaShirim) (7’15”) (1997) An extended choral setting of a collection of quotations from the Song of Songs. [ACA] (recorded by the Goldene Keyt Singers)

Shalom Rav (cantor (high voice) and SATB a cappella; Hebrew from the Reform Jewish liturgy) (3’) (1994) [ACA]